ADayintheVitagraphStudio.Ofthethousandswhodailywitnessmovingpictureexhibitions,thenumberwhohaveanyconceptionofthemannerofmakingapictureiscomparativelysmall.Therefore,tothemajoritythispicturewillproveagenuinenovelty.ItopensintheprivateofficeoftheVitagraphCompany,wherethemanuscriptisbeingcarefullyconsidered.Thestudiodirectorsenter,receivetheirinstructions,proceedtothestudio,getoutthecameras,giveordersaboutscenery,props,etc.ThenwegetaviewoftheVitagraphactorsandactressesmakingupfortheirdifferentcharacters.Allpreparationsfinished,theVitagraphautomobileslineup.Theperformersgetinandproceedtothesceneofoperation,whichhappenstobe,inthisinstance,abusycitythoroughfare.Atrolleyisheldup,numerouslittleby-plays,notinthelines,occurtoaddvarietyandinteresttothepicture.Thissceneover,allhandsreturntothestudio,whereweseeastupidactorbeingput…WrittenbyMovingPictureWorldsynopsis

The visionary work and the turbulent life of Ernest Hemingway, one of the greatest and most influential writers America has ever produced. Interweaving his eventful biography with carefully selected excerpts…

Ifapictureisworth1,000words,howmuchisavideoworth?Cellphones,dashcams,securitycameras,newscrews,camcorders–nowadayssomeoneisalwayswatchingandhostNickCannonusesthistohisadvantageashebringstheaudiencetalesfromaroundtheworld,rangingfromsillytoscaryandeverythinginbetween.Theseriesshowcasesstorytellinginit’srawestform,featuringfirst-personaccountsofthefootagefromthepeoplewholiveditandthoughtquicklyenoughtorecordit.WrittenbyDibyayanChakravorty

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